Canthing
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Akademi Seni dan Desain Indonesia Surakartaen-USCanthing2302-0644DESTRUKTIF BATIK: PERANCANGAN MOTIF BATIK DENGAN VISUAL DESTRUKTIF (NEGATIF FILM) DAN GAYA SUREALISME PADA PRODUK ART WEAR
https://jurnal.asdi.ac.id/index.php/canthing/article/view/75
<p><em>As time goes by, many things are influenced, one of which is art. However, on the other hand, traditional arts in each region, especially in the field of art, have not been influenced by developments over time as significantly as Batik art in Indonesia, which has only been influenced by the materials and techniques for making it. Based on this, a design concept emerged for motifs, techniques and clothing applications that were newer and less monotonous. And these three things influence the design elements, namely shape, color and material in the components used. In this design the author wants to present a new batik motif with a new color technique and apply it to new clothing. By considering the aesthetic aspects of design, function and also the psychology of the user. The method used in this design is combining batik techniques with Surrealism visuals on batik motifs and using negative film coloring techniques which will be applied to Art Wear clothing. The aim of this design is to create batik motifs with destructive visuals (film negatives) with a surrealist style in Art Wear products.</em></p> <p><strong><em>Keywords: Art wear, Batik, Destructive, Surreal</em></strong></p>Muchamad Bagus ImanAndri Nur CahyoAmin Sulistiyowati
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2024-07-012024-07-01102PERANCANGAN MOTIF BATIK EKSPRESIONISME ABSTRAK DENGAN SUMBER IDE SISI EMOSIONAL UNTUK FASHION STYLE BAD GIRL
https://jurnal.asdi.ac.id/index.php/canthing/article/view/76
<p><em>The most young people didn’t like batik that seems old-fashioned with colors that seems monotonous. This design is a from of innovation to foster like and interest for young people so that batik willn’t be immersed in foreign cultures and will countinue to exist in the future. This design is an innovation that develops abstract contemporary batik with more expressionism in which the depiction displays the emosional side experienced by female figure who became the ideas for this work. In terms of images that are randomly generaled with the appearance of expressions human. In addition, the color ascept is made to show the emosional side. Observation of motifs and colors is done through the media of the books and the internet. This batik is realize using the written batik technique, with the coloring using the dab technique. This batik work is packaged or realized in the form of Bad Girls Style which reflects the figure of feminine girl who became a new, tomboyish personality. The results of this design trial obtained 3 motifs with 7 fashion designs which are illustrated in the from of 3 motifs in 1 design and realized with the chosen motif, namely the Confundo motif on a bad girl outfit.</em></p> <p><strong><em>Keyword : Bad Girl, Contemporary Batik, Ekspresionism</em></strong></p>Shafira NabilaMursidahYustiana Dwirainaningsih
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2024-07-012024-07-01102PERANCANGAN BUSANA EVENING DENGAN APLIKASI MOTIF BATIK CERITA RAKYAT PANTAI WIDURI
https://jurnal.asdi.ac.id/index.php/canthing/article/view/77
<p><em>Evening clothing is clothing made from good materials with attractive decorations so that it looks beautiful to be worn by someone at an evening party. The author is interested in developing an evening dress that will be combined with the motifs of the folklore folklore of Thistle Beach.</em> <em>The method used is in the form of designing evening dresses with the application of the motif of the folklore of Widuri Beach. The aesthetic element that appears in this design is the batik cloth with the motif of the folklore of Thistle Beach with decorative depictions. This evening's fashion design uses cotton and satin cotton with a written batik technique. The coloring process uses a reactive dye (procion) and naphtol.</em> <em>This design with the theme of folklore produces an evening dress with the application of the folklore batik motif of Widuri Beach. Design is a way that is felt to be quite effective in raising the existence of batik by utilizing a variety of Indonesian cultures to be used as fashion creations that are aesthetic, have distinctive characteristics, and are unique, especially among young people aged 18-21 years</em></p> <p><em> <strong>Keyword: Batik, Evening clothing, Folkore, Widuri Beach</strong></em></p>Naila Siva AmaliaDheasari Rachdantia
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2024-07-012024-07-01102BENTUK DAN MAKNA RAGAM HIAS PADA TIANG INTERIOR RUANG NDALEM ROEMAHKOE HERITAGE HOTEL LAWEYAN SOLO
https://jurnal.asdi.ac.id/index.php/canthing/article/view/83
<p><em>The form and meaning of decorative variations in space-forming and space-filling elements are one way to shape the interior character of a space and is one way to find out the style used in an interior space. The use of decoration often adapts to economic capabilities and social position in society. Decoration is something designed to add beauty to a building. One way is to implement these decorations on the interior elements of a building. The results of this research aim to find out what forms of decoration are used, as well as the meaning they contain. Qualitative research with a form and meaning study approach, the study approach was carried out on the decoration on the interior pillars of the ndalem room of the Roemahkoe Heritage Hotel Laweyan Solo. This research uses a qualitative descriptive method with a form and meaning approach as a basis for analysis. The decorative form of the lung lungan is very clearly visible on the pillars in the interior of the ndalem room of the Roemahkoe Heritage Hotel, which has the meaning of the dignified behavior of Javanese society in their daily lives. The comparative method is also used to compare with other similar objects. Data collection techniques using; literature study, observation and interviews, using interpretive analysis</em></p> <p><em> </em></p> <p><em>Key words :</em> Decorative styles_Interior_Roemahkoe Heritage_ Laweyan Solo</p>Henny Tri Hastuti HasanaDea Syahnas ParaditaDina Kristiana SeftianingsihMuhammad Dian Rifai
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2024-07-012024-07-01102VARIOUS KINDS of TRADITIONAL CLOTHING INDIAN SOCIETY
https://jurnal.asdi.ac.id/index.php/canthing/article/view/80
<p><em>This journal uses qualitative research methods through document or text studies. It is a study that focuses on the analysis or interpretation of written material based on the context. Materials can be in the form of published notes, books, texts, newspapers, magazines, articles and the like. The data used as a reference for this journal is taken from online journals and digital books, which have previously been reviewed by the author and then summarized and set forth in written form with the title Types of Indigenous Clothing of the Indian Society. India is one of the countries that is very influential in ancient Asian civilizations. Saree from India is one of the oldest clothing in the world. Many fashion clothes are inspired by Indian clothes and applied in a more modern style. Even though there are Western clothing styles that colonized India, India is still able to maintain the Saree as part of the characteristics of the Indian State.</em></p>Khansa Luthfi MusyaffaFajar PrihatiAmin Sulistiyowati
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2024-07-012024-07-01102KLASIFIKASI KARAKTERISTIK BUSANA TRADISIONAL CHINA
https://jurnal.asdi.ac.id/index.php/canthing/article/view/81
<p><em>The Online Journal of Akademi Seni dan Desain Indonesia Surakarta comprises of 13 online journals which contribute to the advance of knowledge in 13 scientific fields. To comply to the formatting used by the Journal, authors who wish to submit paper to one of the Journal are strongly recommended to use this file as the template for their papers. In this file, authors will find all styles and formatting acceptable for paper submission. Each paper should be between 8 to 12 pages in all, including illustrations, tables, list of references, and abstracts in Bahasa Indonesia and English. Authors are encouraged to submit paper in MS Word format (.doc or .docx) via http://jurnalonline.itenas.ac.id as registered author. Hardcopy is acceptable for first submission, but softcopy is required for further editing once the paper is considered for publication by the Journal.</em></p> <p><em>Keywords: author’s guideline, document’s template, format, style</em></p>Kisni HangganingtyasDhea Putri Aguatina S,AAmin Sulistiyowati
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2024-07-012024-07-01102KLASIFIKASI KIMONO SEBAGAI BUSANA ADAT JEPANG
https://jurnal.asdi.ac.id/index.php/canthing/article/view/82
<p><em>This journal uses qualitative research methods through document or text studies. It is a study that focuses on the analysis or interpretation of written material based on the context. Materials can be in the form of published notes, books, texts, newspapers, magazines, articles and the like. The data used as a reference for this journal is taken from online journals and digital books, which have previously been reviewed by the author and then summarized and set forth in written form with the title Classification of Kimono as Japanese Traditional Clothing. Japan is included in one of the developed countries, Japan as a country that still adheres to customs and culture is the main attraction, one of which is clothing. Almost everyone knows the traditional Japanese dress, namely the kimono. Clothing with various motifs and colors is well known throughout the world because it has become the identity of the country. Traditional Japanese kimono clothing is no longer monotonous because it has received several technological touches so that it looks more modern and can compete in the market.</em></p>Mila Fiska IndrianaIffana Nafisa SaraswatiAmin Sulistiyowati
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2024-07-012024-07-01102SOSOK MUDA KI PANDU NUR PRASTIYO
https://jurnal.asdi.ac.id/index.php/canthing/article/view/84
<p><strong><em>Shadow puppets are one of the identities of Javanese people in the life of Javanese society itself. Until now, shadow puppets remain an important characteristic of Javanese culture. In this case, shadow puppets are often also called wayang purwa. In the shadow puppet (purwa) performance, the puppeteer plays a very important role in the performance. The puppeteer is required to have expertise and skills in suluk, sabet, and understanding or knowledge of the Javanese Kawi language (ancient). Pandu Nur Prastiyo, at his young age, is classified as a teenager, has the expertise of a puppeteer in the traditional Javanese art of shadow puppetry, which is something rare in today's era. Usually young people his age are very familiar with rock music, pop music or other music that is more popular with modern art. Pandu Nur Prastiyo, a 4th semester student at ISI Surakarta, prefers to study the traditional Javanese art of Shadow Puppetry, an art that has been around for hundreds of years and is a favorite of the Javanese people.</em></strong></p> <p><strong><em>Keywords: biography, Pandu Nur Prasetyo,</em></strong></p>Salim
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2024-08-092024-08-09102